Saturday, December 31, 2022

Justice League/Power Rangers

 Power Rangers/Justice League


Written by Tom Taylor
Illustrated by Stephen Byrne
Published by DC Comics & BOOM! Studios

 Here’s a softball on getting me to read anything, do a crossover. Though here’s the catch, you want me to buy the book (instead of using the library [Inter-Library Loans are your friend]) make it weird. Here’s an example, Mighty Morphin’ Power Rangers and [Blank]. It’s really that easy, so far I have Teenage Mutant Ninja Turtles filling that blank spot (and Godzilla [seems to be a theme, I really enjoy giant reptiles {though is Godzilla an Amphibian}]). Anyhow that’s why I talked it over with my local library and they assisted me with procuring a copy of the newest Justice League crossover; guest-staring the Power Rangers. I just heard the title and wanted to consume this book the instant it reached my hands! Since both sets of characters I really enjoy, so why not watch them run through the trope and cliche handbook, it’d’ll be a fun time. And it was, though it was like a ride at an amusement park that had lines a little too long for the amount of adventure and excitement at the end. Though while we’re waiting here, let me go into more detail about my experience.


Pro:
-Good Writing on the characters for both publications

When dealing with multiple sources of Intellectual Properties you really want to find a blend between them, though that can always be a challenge given the amount of members within a cast. If you have ever tried to be within a crowd and have your voice heard you’d know that if the speaker of the room doesn’t allow others to speak then no one speaks. This is the same thing when it comes to comics or movies or any type of media when there’s a large cast. Some people are focused on more than others, that in itself is a problem, since Intellectual Properties have property owners that want their star to shine. That’s one of the hardest things within this piece, there’s a lot of moving parts that need more definition or a more simple plot. Not one character was written poorly, since they all fit into the mold of who they are and should speak or act like, between both sides of the publication. In the entirety of the six issues there wasn’t a person that was left out of place, drawn or written.


Con:
-Focused WAY too much on Superman

Though my hardest criticism is not within the story, since it’s fair and interesting, but the use of the cast, or to better define the size of the cast. The magnitude of events were too great for the amount of characters needed to foil the villains, or the amount of issues were too slim to fully realize the story to it’s potential. What I keep skirting around is, the plot succeeded in giving the good guys something to do and work toward a common goal, but it felt like a lot was happening, though nothing completed. Most of the story was focused around Batman and Zach (at first), though interesting characters, the drawback was it didn’t reflect their personalities established here. The ties that centered them to each other didn’t knot. And at times we just left that plotline to focus on whatever Superman was doing in the moment. At times, it felt like there were more hands adding ingredience than plating dishes.

Also the main villain Brainiac switching with Zed, who started as the central villain. Brainiac was a good choice, though not for Zach and Batman (the story’s focal characters) this was more of a villain for Billy and Cyborg, since a lot of the problems were solved with super science, than with might or skill. Then we have the Dino-Bots, which were there, then disappeared, once Brainiac was in the picture more prominently. Zed was the inaugural villain of the limited series, but not really there. It was weird that a highly intelligent being of magic was more of a laky to another being that was not his superior, in strength nor abilities, mystical or tactical. I felt that Zed was the least defined character in the limited series, which kind of bothers me the most, since the heroes need a reason to stop a common enemy, so they can work together. This felt less like Zed and more like Goldar, though they needed a means to connect both Worlds. Zed felt less like his true form and more like a vehicle for the Rangers to meet the League. Goldar would have been the better choice for a blind follower, but a fix that might be too dramatic for the plot at hand.


Fix:
-Change the villains

There was a side plot that I thought could have been explored a little more, though with the remaining issues of the comic it wouldn’t make the page count for the amount of action that still needed to be taken by our heroes. Though I’d like to talk about it here, within the “Fix”, since this would change the whole dynamic of the comic and avoid any real change to the villains in whole. The Artificial Intelligence philosophy bridge, that’s what I’m coining it, so here’s my two-cents, enjoy. Pretty much, we have Alpha-5, Brainiac, Cyborg, and Billy (the Blue Ranger), they’re all communicating to each other about the idea, since the curiosity of Brainiac was peeked with the interaction of Alpha-5. The possibilities that Brainiac saw, I feel, will one day lead to the Brainiac that we’ll see in the future for Legion of Superheroes, but that’s a tale for another day. No, today we have two Artificial Intelligence Automatons, a Cybernetic man, and a teenager that “Does Machines” (borrowing that one from a Turtle), all of who have shown within this limited series can understand the basics and practical application of inter-dimensional travel chatting about the possibility of having thinking machines beyond the two functional beings posing logical conclusions. It’s maybe my favorite part of the book and it wasn’t explored enough.

Anyhow, that’s how I’d fix the book, focusing on these four talking it out, debating on the nature of what it means to be Artificially Intelligent and having organic thoughts, while reflective battles are happening on Earth. In short, I’d dial back the interaction between the Justice League and Power Rangers, showing a plot-A (main-plot) and plot-B (sub-plot). Plot-A being that of the conversation between our main villain (Brainiac) debating with our heroes (Cyborg & Billy), though here’s the interesting part Alpha-5 as a neutral party. Since for the most part Alpha-5 isn’t the first Alpha and won’t be the last Alpha for the Rangers, meaning the stakes are meaningless, but his friends (the Power Rangers) are important to him. Which again is a powerful sentiment and statement coming from a robot, that Brainiac has the most curiosity from, since emotions are a mystery to him at this time. Again this would all be a great background fight between what it means to be human and have all four of them verbally battling for the planet, while the Justice League and Power Rangers fight Zed and his cybernetically powered army. Long and short for the B-Plot, they’re fighting and there’s only one thing that can stop the army and it’s forming a giant robot with a sword, but it’s being hurled by Superman and has Batwings, sure why not, it’s all a formality to keep the pacing of the comic so it doesn’t dry out with the Artificial Intelligence talk. Toss in fanservice, like Batman in a Ranger costume or Wonder Woman using the Power Daggers in a fight, it doesn’t have to be groundbreaking, since there’s about six issues and two of them can be summed up with being a Prologue and an Epilogue. Four of which will be action and conversations on moral judgement with a splash of armchair philosophy.

This is my fix, it’s not THE fix, but it’s how I would change the elements within the story to reflect the basic problems I have. So no focus on Batman and Zach, less Superman, and more text boxes, again not a fix that will land. I’m essentially saying “Hey, you know the money making characters that everyone wants to see in this limited series, let’s put them in a sub-plot and focus on anyone else” yeah, I’m gonna win an Eisner for writing this book. Though if you’ve read The Infinity War (comic crossover event [from 1992 {written by Jim Starlin & drawn by Ron Lim}]) from MARVEL they focus on everyone other than the main Marvel Characters (Spider-Man is knocked out with Hawkeye within the second issue and is at the Hospital for the remainder of the limited series), they’re in the sub-plot. Everything is focused on Doom/Kang, Warlock/Thanos, and the moral judgement that Warlock made to create these events. It’s a really well developed story about characters making grand gestures and the repercussions of doing so within reality. And I feel that would be perfect for teaching teenagers from a different dimension, through conversations with alien robots.


Closing:
Well I hope this clears up some matters, though I’ve wrote this, read this, and edited it and again this is my mind and I’m screaming into the void on my opinions about fictional characters and how they interact with each other. The whole concept is bizarre and yet you’re still reading. Meaning you’re most likely waiting for me to wrap things up and I will. This comic was a surprise on many levels, it’s biggest flaw was the pacing, but other than that it has a whole lot throw into the pot and there was a ton of flavor, though that was it’s biggest short coming, since there was too much for the spoon. Suggesting that I was expecting a certain flavor, but still had a good bowl of soup, um, comic. Should you read this comic, of course, read, though is this going to titillate your tongue, it may not, but the juxtaposition of Giant Robots and Superheroes is a beautiful sight worth the admission of the time you spent reading.

Friday, December 31, 2021

Shorts SHORT Review: Cave Carson Has A Cybernetic Eye

 Cave Carson Has A Cybernetic Eye

Written by Gerard Way & Johnathan Rivera
Illustrated by Michael Avon Oeming
Published by Young Animal (an imprint of DC Comics)

This is the perfect series for a short review, this is the perfect blank slate series to drop anyone into the World that these characters infest. Since there’s not a hard history on the characters, this soft-reboot will give more personality than the last time anyone of these fictional beings have seen the light of day. What I mean from this brash introduction is that, this story will give you a broad idea of characters that no one really knows, that the fan base is either dead or happy to see their favorite group again. I’m usually in the latter group, since most of the time I enjoy characters that are B-listers at best, though I’m usually reading D-tier fictional beings, since those are where the weird lands lie. And that’s exactly where we are, on this road of redemption, climbing up from grief, and like any comic today, saving the Multiverse.

There’s nothing like a long and short of a twelve issue series, I mean that facetiously, since usually there’s a lot to cover. That’s the thing about this specific series, there really isn’t that much. At times there’s lore, but that’s wrapped up quick, then there’s character development, but that too is given it’s allotted time. It’s not that there isn’t a great story here, but it’s more of a series of vignettes intertwined between a shared finale. That’s not a bad thing, but it’s like a closed question. I ask you something, it’s answered, very blunt, but then there’s the hanging questions that were placed into the story without anything bringing us back up to speed, and we’re hanging there till the end of the tale (still not completely answered, but here’s hoping it’s answered in the second series [Cave Carson Has An Interstellar Eye {maybe Milk Wars}]). It’s small problems, though the pacing is wonderful and the main cast is fully fleshed out, I just feel like there’s more to be said, but isn’t within the pages.

 



Anyhow, Cave’s wife died (it’s page one), he doesn’t have a great relationship with anyone, but then he finds out that fungus people are trying to collect/kill him and his daughter (she’s at college). With the aid of a local vigilante (Wild Dog) and Cave’s creation (The Mighty Mole Mark One) they set out to fend off against toadstool terrors and get into subterranean adventures, well to pick up his kid and visit his in-laws. Also Guest-starring Superman (who might be a hallucination) and Doc Magnus (featuring the Metal Men). I’m gonna stop right there, but so you want to keep reading the series I’ll tell you this, yes there’s an underground civilization, yes there’s a few robot battles, and yes they travel through multiple Earths, but most of all the artistic direction is astounding.

If there’s anything that this series should be known for, it’s the amazing colors, the stupendous illustrations, the phenomenal page structure, and all of it locking together in a functional way that doesn’t take away from the story, but makes you want to see more on the next pages and what’s in the next issue. This is not a series that has everything, it hits the right moments, it gives you that desired high while reading a comic, it has all of those experimental and creative points that will keep you reading again and again (just to see what you missed the first read). Though it feels like this was a pitch intended for a different purpose and it became a comic. In short, I enjoyed it, so why not unearth this tale and read it, there’s so much humor and weirdness that it needs to see the light of day.

I trust you enjoyed the inspection, thank you for reading.
Support the creators, check out your local library, and contribute to community comic and book shops.
If you want to stay up to date on my reviews, be here next year.
Keep well and Stay well.

Thursday, December 31, 2020

Shorts SHORT Review: Heroes At Home

 Heroes At Home

Written by Zeb Wells
Illustrated by Gurihiru
Published by MARVEL
Collection Editor is Jennifer Grünwald
Book Design by Jay Bowen

This is the last day of the year, the very last day (all the way to the witching hour), the last time I have to write anything before this damned year is gone, forever gone, though never forgotten. I’m writing, editing, and reading this feature all within the wee hours of the morning to the dwindling hours of the evening. Still this year has had a lot of thing happen, throughout the majority of it all, but one thing that hasn’t really happened is inaction. No, I’m not talking about the Kevin Smith toyline, no, it’s staying at home (or going out as little as possible) to reduce the spread of infection. Germs and Viruses are something that we can’t protect ourselves from, even in a suit of armor or with a really sharp sword, though a mask can help. And with Superheroes being the forerunners on mask wearing MARVEL stepped forward and wanted to show what the inaction lives of some of their most popular action heroes could be doing.

 


Let’s talk about the cover and this short all at the same time, since originally this whole book was just covers for issues that came out within 2020 as an alternate to the regular series (except for two). That’s always a hard thing with writing and drawing, if something huge happens within reality your fictional world may have to change. Lucky for most comics the events are happening within a year or so ago, so everything hasn’t really caught up with them just yet (fictitiously speaking), still that little bit of excusable explanation of why no one is wearing masks except for the super in the room is going to fade fast. Since (again) this is the end of the year, the very last day th— okay, so each “chapter” (I’m gonna use the term loosely) is a different hero story of inaction. Like any book they give illusion that these eight “chapters” are going to be within the book from the cover. It’s a fairly simple cover, of a wall, like any brick wall of an apartment building (especially in New York City), so one window for each apartment. I guess you could consider this a ‘What if?’ story since they all (assumingly) live under the same roof. Anyhow, the cover gives a bit of personification to each character, showing what each would be doing if given the chance to rest and live within the moment. I really don’t want to go into much detail, since the whole book is nine panels each “chapter”, just enough to fit on a cover page grid three by three. I’m gonna list my synopses of each character’s story in order of appearance (also the issue the “chapter” is from).

Spider-Man: The Amazing Baking Adventures of our webbed culinary crusader! [Amazing Spider-Man #48]
Black Panther: Obstacles can be a four-course meal. [Avengers #36]
Captain America: Dishes to discus, freedom to feast. [Captain America #23]
Captain Marvel: Conversations from Skrull to Kree. [Captain Marvel #21]
Hulk: If you’re happy and you know it, make a sign. [Immortal Hulk #37]
Thor: Precarious perils of hair removal! [Original]
Venom: When life is without, make do with what life gives you. [Original]
Wolverine: Mosaics of friends, or The best at what he does (which is puzzles). [Wolverine #5]

[Make sure to look for all the hiding spots of Jeff the Land Shark]

And since we're diving into the pages, Gurihiru brings a depiction for each character that illuminates aspects of each hero. Spider-Man with his thin and youthful appearance, Captain Marvel with her stunning golden locks and sarcastic expressions, and Venom with his over the top and chaotic nature. No one quiet moves a static image as well as Gurihiru, though no one compliments them as well as the wit of Zeb Wells.

That about wraps it up, an inaction adventure illustrated by the talented Gurihiru team and written by the clever mind of Zeb Wells, all bind and bound in about five by five square inches. I’m bias, since I love superheroes and slice-of-life tales, though if you’re looking for something that’s beautifully designed and comedically timed this is worth a place in your library. Nothing better than a little comfy story to ease into the New Year.

I trust you enjoyed the inspection, thank you for reading.
Support the creators, check out your local library, and contribute to community comic and book shops
If you want to stay up to date on my reviews, well your guess is as good as mine.
Keep well and Stay well.

Tuesday, December 31, 2019

The Thing

The Thing; an incident beyond adolescence

One thing that scared me as a kid was the Todd McFarlane toys. They were so wonderfully crafted and horrifyingly detailed that I could feel the pain and anguish that a figure had. It was traumatizing, though that's a skilled artist, that's a person that knows their abilities and how to emote through a media. Though that brings me to the subject of the day "John Carpenter's The Thing" and the toy of the monster in all it's hanging flesh detail, hung on a shelf at the local SunCoast video.

Just a second on the evolution of horror, there's many different ways of subjecting one to something that's frightful, though there's not many that know how to connect our more basic fears into media, since most that enjoy these types of sensations are jaded at this point. Jaded in the sense that they love that emotion and want to feel scared or excited, that it's not really a new emotion and someone running after them with a large knife isn't something where they'll panic, well panic as much, it's still a person with a large knife. No, what I want to talk about is that this series is in a way a good representation of horror as a historical timeline. The story is in a book, no comic, no film, no splash page of gore, it was a novella in a magazine, nothing more than the pseudonym of John W. Campbell Jr. at the top by the title. The plot was about fear in man, pretty much an abstract thought into our own fears of one another. There's a hidden murderer among us and we'll never know, mind you the first World War ended twenty year before this was published, but I'm guessing Mr. Campbell saw the writing on the wall, since the following year the second World War historically agreed to start (there's been a lot of grey area talk on when the War started, so it's up for interpretation, but historically it's dated at 1939). This was perfect for those that believed there wasn't many to trust within their own community, though this paranoia lead to horrible crimes and left out of historical commentary. Then the film came out, about thirteen years after the publication of the story, this time around there was a visualization of the alien and it's monstrous form. It wasn't just something that could blend in well with the crew, but it was a being, it held space and this was a great fear. Someone with enough power to run through a wall, be frozen in ice, and could take down a man no problem. That was something that a lot of people feared, since it wasn't an idea, it was a man! This was within the years of horror movie monsters that then became slasher films, life's fears were a being and not a thought. Then the next film came about, it's thirty-one years, this is the one that most think of when talking about this subject. When this came out John Carpenter was flying high with the "Halloween" series and "Escape from New York" he then made another amazing film, though at the time wasn't seen as a good film, or a movie that was his. Later this would be the bases for a long line of monster movies with practical effects, trying to make puppets creepy and threatening. Though this film did something original, it took the fear of the unknown and gave you a form, but both are an abstraction in reality. In a nut shell this was the best of the Thing franchise and in horror history, since it brought back to the medium the concept of ideas could be just as horrifying, not just a big guy with a knife.

One thing I'd like to bring up is that this is all opinionated, from my point of view, but also the point of views of those that created these features and the inflections that they envision of the characters. So I've never read the story, though I'd very much like to get my hands on it, but at this time it's escaped my clutches, so I have the movies and audio books till then. Long and short these are the opinions of mine based on the story and plot brought to my attention by the ones that created media from the source material. If this sounds interesting, hearing a story and what happens based on another's third hand understanding. Let's get into the middle of this mess and see what comes from all of these things.



Audio Book
-Who Goes There? (1938)
I found this audio book when I was animating a film in my second year, it was something that gave me a lot of joy and something to keep my mind on while finishing tasks that didn't need all my attention, just enough that allowed me to focus and not want to throw a monitor out a window. Sadly, my audio wasn't the best, but the actor and the writing was stupendous. It focused on telling the story and keeping one within an eerie demeanor, it was nice, since one could really feel the different characters better, the loneliness that each one of them had within the snowy wasteland. It wasn’t totally professional, it was good, it was fun, but it was what it was… free. Still it was a reading from the original short story, a story that knows how to be perfectly creepy. If you can find the recording I listened to then you are in for a treat for sure, though with it being a few miles on the road to a decade I can’t quite remember nor say it’s still where I last saw it. Though it’s worth the listen if you can creep into my past and find this lost audio.

Movie
-The Thing from Another World (1951)
Honestly the goofiest of the Thing interpretations. At times this felt like a Frankenstein parody, still a good story, but it doesn’t hold that isolation feeling, that testing of mankind, that sense of paranoia, because we know it’s a monster in humanoid form. I think that’s what really tears down the film the most is it’s establish shot of the monster, that it’s a tall man, not that being from another planet who takes forms of other beings. The actors were good, the leads were wonderful, the story, well that’s the part that leaves it flat. This is something you see a lot in contemporary films, mostly reboots or flicks that are trying to grab hold of nostalgia glasses and jam the property down your throat. It’s kinda rare to see an older film take something from a property that’s it’s own thing, that’s built a crowd behind it and change so much and leave so little from where it’s origin came from. Again I’m not saying this is a bad film, I’m saying it was a bad ‘The Thing’ film, in all it was  a strong movie that had interesting and likable characters, it’s development, and story structure was there, it was a bit slow, but pacing fit the film, since they needed to expand for time and give it more of a drawn out feeling. That this all didn’t take minutes, though hours to figure-out who the thing was, well where the alien was within the base. In a way this was a deluded version of the ‘Red Scare’ pitting neighbor on neighbor, who is it, who is the one that’s putting us all at risk. So as a horror movie it saw the headlines and went with it, but in the long run of things miss the mark between social commentary and keeping true to the source material.

Other Movie
-John Carpenter's The Thing (1982)
This is the one that’s the most famous, this is the one that had me the most scared as a kid, this is the one that was the most interesting and gross to watch. As a kid I’ve seen the action figures that this was based around, they were graphically accurate, they had everything in plan view, and to boot this was an ‘R’ film. At the time you could do a lot in ‘R’ films, not like today, but they really pushed the censors. I’m always one that likes the implied thought better than the thought, it’s kinda like the Rorschach test, you see what you want to see, so similar in this sense. You have an idea of what comes next, though you don’t see it, just the actions after, just what you’re told, no matter how graphic, as long as it’s not seen then you can have the spoken action within a movie, but once you have metal entering flesh, then cut from anything less than PG-13 and back in the day it was PG or R, nothing in-between, so why not go all the way. I saw the movie recently, well within the last four years, it was good. I mean that, it was a solid movie, the pacing had a stopping point, but it lulls you into a point of boredom (safety) that’s well made, not for the acting, but for the characters. They are doing the same things, in and out all day, studying this and that, taking about how they have a pilot, but never need to fly. Then stuff starts to happen and happen fast, things blow up, figuratively, though later literally. The Alien takes on many different forms, many different limbs spring from the creature, though like the book and other media it hides away in different places (and people), trying to build it’s ship or something we can’t understand, and building suspicion between the crew. In short, Kurt Russell is the only one still alive, though we don’t know whatever happened to the alien. The ambiguous ending was nice, but they never followed up with it. Over all the amazing practical effects, the wonderful acting, and the awesome experience that comes with this film makes it a must watch, even just for the mystery part of the film.

 


Well that’s my take on The Thing series, it was and will be something that stays in my mind and scares me just a bit before bed. In general this is where a lot of my paranoia comes from during and after college. Trust is hard, sometimes you need a blood sample and some fire. Though really, given the chance to see all of these again, it’s worth the trip, it’s a wonderful story and each creative team’s interpretation of the short is stupendous. It’s kinda like a mystery novel or film where the story keeps going around and around where you keep finding what someone else has noticed something different, something new that hasn’t been seen in all the other stories. I always revert back to Detective mode when it comes to multiple creative teams making something that I enjoy. Anyhow, checkout your local library for the short story, the multiple films, and head over to Linkcara for the comics. If you’ve read my reviews you can trust me this far…